“Wow, this is turning out much better than I expected.”
I made this statement while sitting in my favorite bar in New York City, drinking a pint of Guinness and trying to turn ten feet of three strand, half-inch hemp line into a ditty bag lanyard. A friend, sitting next to me and trying to work her way through a four strand star knot, commented on the fact that I always say that. And she’s right, I do. But it really isn’t excessive ego on my part …. no really, its not … it’s quite the opposite in fact. I actually am always amazed when something I do related to traditional skills or seamanship turns out well.
Then a short fuzzy-haired student teacher compared the finished lanyard to a child’s toy. Well thanks …. so hundreds of years of sailor’s craft is really nothing more than a summer camp boondoggle? But I was left to think about the nature of the craft: is there any practical reason for still practicing decorative marlinspike seamanship?
Up until I started sailing on the schooner Pioneer, I had no interest in crafts of any sort. I’m not particularly artsy. However, once I started sailing on a historic vessel and began hanging out with the crew of said vessel, I became more and more interested in knots, bends and hitches. How they’re tied, why they work or more importantly why they don’t.
Long conversations with the crew of the vessel led me to two books that kindled the interest in decorative marlinspike seamanship; “The Arts of the Sailor: Knotting, Splicing and Ropework” by Hervey Garrett Smith Hervey Garrett Smith (Author) and the “Ashley Book of Knots” by Clifford Ashley. From these books I learned how to tie a variety of knots, how to splice, sew patches on sails, and most importantly how to take pride in doing something in a clean, precise way.
I made this statement while sitting in my favorite bar in New York City, drinking a pint of Guinness and trying to turn ten feet of three strand, half-inch hemp line into a ditty bag lanyard. A friend, sitting next to me and trying to work her way through a four strand star knot, commented on the fact that I always say that. And she’s right, I do. But it really isn’t excessive ego on my part …. no really, its not … it’s quite the opposite in fact. I actually am always amazed when something I do related to traditional skills or seamanship turns out well.

Up until I started sailing on the schooner Pioneer, I had no interest in crafts of any sort. I’m not particularly artsy. However, once I started sailing on a historic vessel and began hanging out with the crew of said vessel, I became more and more interested in knots, bends and hitches. How they’re tied, why they work or more importantly why they don’t.
Long conversations with the crew of the vessel led me to two books that kindled the interest in decorative marlinspike seamanship; “The Arts of the Sailor: Knotting, Splicing and Ropework” by Hervey Garrett Smith Hervey Garrett Smith (Author) and the “Ashley Book of Knots” by Clifford Ashley. From these books I learned how to tie a variety of knots, how to splice, sew patches on sails, and most importantly how to take pride in doing something in a clean, precise way.
In re-reading Ashley's section on decorative work, I came to the conclusion that these skills are still relavent and I think I know why they're important to learn.



I could probably purchase a sewing kit, knife, heaving line, ...etc. and have spent less time and effort than making the ones that I did. But I'm a sailor and I like the tradition that goes with being a sailor. Its probably the same reason that I like to take a boat out on the water and use the wind to take her where I want to go, rather than get a power boat. Its not as fast or flashy, but I don't need it to be.
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